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Podcast Episode: Fraud, Corruption, And Corporate Power

25 Oct

Pip: Anaphora Literary Press has been covering the week's legal docket, and if you enjoy stories where the house always wins and the house is on fire, you are in the right place.

Mara: We're moving through four territories today: crypto fraud and who escapes it, law enforcement corruption from the inside, corporate SLAPP suits targeting plaintiff lawyers, and oligarch wealth meeting Caribbean politics. Let's start with the crypto cases and who ends up holding the bag.

Crypto Fraud and Who Escapes It

Pip: The core tension here is not just whether a particular token was fraudulent — it's why some crypto founders go to prison while others collect pardons.

Mara: The Bitcoin Latinum case puts that contrast in sharp relief. Founder Donald Basile convinced investor Arshad Assofi to put in fifteen million dollars by claiming the coin was "backed by an asset trust and insured for up to $1 billion" and endorsed by the producers of Star Trek — a claim Paramount denied.

Pip: Those funds went to personal real estate and a one-hundred-and-sixty-thousand-dollar horse. The coin now trades around forty-one cents.

Mara: The SEC has since filed its own civil fraud suit, and the post asks a pointed question: is the line between crypto fraud and legality determined by whether you're "operated or protected by the president"? The SEC has lowered its crypto enforcement activity by sixty percent under current leadership.

Pip: Which is a regulatory posture, not a verdict — though the timing is hard to ignore.

Mara: And the pattern holds across the sector. Sam Bankman-Fried is serving twenty-five years. Do Kwon got fifteen. Meanwhile the biggest platforms face regulatory suits at most, not criminal charges. From there, let's look at corruption that runs a little closer to street level.

When the Handler Is the Problem

Pip: This segment is about what happens when the person running an informant decides the informant is more valuable as a business partner than as a source.

Mara: HSI agent Anthony Sabaini was receiving tips from drug dealer Gary Howard while simultaneously asking other agencies to stand down on investigating Howard's dealing. The coded arrangement was explicit: "50 words on a page" — fifty standing for fifty thousand dollars — which Sabaini used to buy a new car.

Pip: Sabaini also pocketed a separate fifty-thousand-dollar HSI cash advance meant for a controlled buy, handing his informant counterfeit bills to use in the sale instead. That is a level of operational creativity that deserves some grudging acknowledgment.

Mara: The scheme unraveled when Howard tried to sell two ounces to a DEA informant in 2017, then got caught in a full two-hundred-and-eighty-thousand-dollar cocaine sting in 2018 run by a different DEA source. Two federal agencies, running separate informants, caught each other's corrupt operation. Howard's appeal, affirmed by the Seventh Circuit in September 2026, argued the deals were authorized federal work — a claim that collapsed without Sabaini's testimony, which Sabaini refused to give. The post situates this inside a broader system: eighty percent of federal drug prosecutions involve confidential informants, and the DEA alone maintains an active list of eighteen thousand of them. Corporate litigation raises its own version of the same power-versus-accountability question.

3M, Black Lung, and the SLAPP Playbook

Pip: The question this segment is really asking is whether aggressive plaintiff lawyering can be recast as racketeering — and whether that recast is itself a litigation weapon.

Mara: Three lawyers — Hammond, Martin, and Givens — filed twenty-two mass-tort suits on behalf of over eight hundred and fifty coal miners claiming 3M's dust respirators caused black lung. 3M's response was a federal RICO suit, and the post quotes the key legal tension directly: the lawyers argued "their standard legal actions of filing lawsuits and managing discovery cannot serve as predicate acts under federal racketeering laws."

Pip: The judge let the RICO claim proceed to discovery anyway, while tossing the Kentucky state fraud counts. So the miners' cases stay stalled while the lawyers defend themselves from a corporation that faces potential bankruptcy if the miners win.

Mara: The post is careful here. There are real questions about claim quality — sixteen suits were dismissed before 3M filed, then forty-three more shortly after — but the evidence 3M offers for actual fraud is thin. The most damning exhibit is a text from one defendant to opposing counsel, which the post calls incredible to take at face value. The CDC reports around a thousand miners die of black lung annually, and roughly one in three veteran underground miners in Kentucky, Virginia, and West Virginia test positive today.

Pip: 3M and Mine Safety Appliances have held a duopoly on mining respirators since 1970. The death rate has not meaningfully changed since miners started wearing the masks.

Mara: The Maine campaign finance piece sits in adjacent territory — a different kind of institutional power blocking accountability. When eighty-six percent of Maine voters passed a law restricting foreign-influenced corporate election spending, Central Maine Power and its parent Avangrid sued, and a federal court struck down the law's core provisions before it ever took effect. The court found the five-percent foreign ownership threshold too low to justify restricting corporate speech. Power over democratic outcomes is the thread that carries into the next segment.

Oligarchs, Kickbacks, and a Missing Yacht

Pip: This is a story about a Russian fertilizer oligarch who tried to hide a superyacht by pretending he didn't own it, and then discovered that Antigua's government had noticed the same thing.

Mara: Andrey Guryev purchased the Alfa Nero through offshore shell companies, claiming he merely chartered it. After Russia's invasion of Ukraine, Antiguan officials blocked the yacht from leaving harbor, passed legislation declaring it abandoned, and sold it at auction for forty million dollars — below the highest bid of sixty-seven million. His daughter Yulia Guryeva-Motlokhov is now pursuing discovery in Florida, and the filing alleges that Prime Minister Gaston Browne's "administration was set to receive up to a 50% commission" on the sale.

Mara: Six million dollars has been separately alleged as a hidden bribe paid to Browne through his personal attorney, recorded in the yacht broker's corporate accounts. Four million dollars from the sale total remains unaccounted for. Florida subpoenas now reach into four parallel proceedings: a constitutional challenge in Antigua, a civil damages suit in Russia, a criminal complaint in the UAE, and a defamation suit Browne filed against the lawyers pursuing him.

Pip: Guryev stayed silent about the war to protect his fertilizer stake and is now confined to Moscow, unable to enter his superyacht or his four-hundred-million-dollar London mansion. The oligarch who did speak out — Oleg Tinkov — lost his bank, renounced his citizenship, and eventually got his yacht back. The post leaves the lesson somewhat open.


Pip: Fraud charges for the small, pardons or passes for the large, and democratic votes that money can reverse — the week's cases are pretty consistent about who the system is designed to protect.

Mara: The black lung miners, the drug dealer's informant, the Maine voters — all waiting on institutions that are simultaneously being litigated against and litigated through. More of the same, next time.

Always Seeking New Writers!

15 Jan
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Anaphora Literary Press is warmly inviting submissions from both first-time, and established writers in all genres and categories. Most submitted books are accepted. Anaphora has been in business since 2009. It has published over 350 creative and non-fiction books. Its PLJ and CCR journals have published interviews with best-selling and award-winning writers such as Geraldine Brooks and Larry Niven, as well as thousands of short works from unrecognized writers.
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Awards: Bob Van Laerhoven’s short stories collection, Heart Fever, became the Finalist for the 2018 Killer Nashville Silver Falchion Award. Yermiyahu Ahron Taub’s novel Beloved Comrades won Second Place/Silver of the 2021 CIPA EVVY Award in the category of LGBTQ Fiction from the Colorado Independent Publishers Association. Jere Krakoff’s novel, Something is Rotten in Fettig, was a finalist in the 2016 Foreword Indies: Humor (Adult Fiction) competition. John Paul Jaramillo’s collection of short stories, The House of Order, received an honorable mention in Latino Literacy Now’s Mariposa Best First Fiction Book Award.
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Submissions: Email the full manuscript (books should be completed prior to submission), and paragraph-long biography, summary and marketing plan in a single Word document to director@anaphoraliterary.com. Anaphora does not have any outside funding. Books are usually sponsored with a $400 flat fee, or a 50-book purchase at 25% off the cover price. Authors can alternatively purchase 100 copies at 40% off, or 200 copies at 55% off the cover price. To avoid paying a fee, the author can otherwise provide a marketing plan that proves the book will sell over 100 copies. Anna Faktorovich, PhD, is the Director and Owner, and performs all tasks herself, taking personal responsibility to assure maximized quality.
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“I’m a Belgian who has been a fulltime author for 30 years now in the Netherlands and Flanders. But as a foreigner, I didn’t know exactly what to expect when Anna and I combined forces to present the American public an overview of the themes in my novels by means of a the short story collection, Dangerous Obsessions. I was very pleased with the professionalism and the guidance of Dr. Faktorovich. In a fast changing market, she combines the strength of traditional publishing with the opportunities of the latest technical innovations and marketing techniques.” –Bob Van Laerhoven, winner of the Hercule Poirot Prize and the USA Best Book Award

Killer Nashville - Silver Falchion Award Finalist - Edited

“I have some 700 publications including 13 books. Most of my experiences have been positive though now and again a publisher has caused me real pain. I published a small memoir with Anaphora and everything worked smoothly, efficiently, and the end result is a lovely little volume. Anna Faktorovich, the publisher, does an outstanding job acquiring, editing, and overseeing production. She then markets through the usual channels and attends countless conferences and conventions displaying Anaphora titles. Thanks!” –Robert Hauptman, PhD, professor emeritus, editor of the Journal of Information Ethics

“First and foremost, service is fast and professional. Reviewing my book took a day. Editing only took a couple of weeks. The time between final edits and printing is only about three weeks. I know others who have published with small presses and it seems that Anaphora is superior to many of these companies. You feel like you are part of a team or a family when it comes to promotion. As the company grows, I feel that it benefits the authors as much as it does the publisher. Overall, it has been a good experience and I recommend Anaphora.” –Paul G. Varnas, Chicago chiropractor

“In publishing my memoir, Anna Faktorovich proved to be especially adept at designing a book with chapter epigraphs, five distinct parts, and many photographs.” –Bob Begiebing, PhD, founding director of the MFA in Fiction at Southern New Hampshire University

“Anaphora is the future face of publishing – reaching out and offering talented writers the opportunity, not to be squashed by BIG publishers, but an opportunity to share their unique voices with an audience of attentive, concerned, inquisitive readers. Anaphora is analogous to that special boutique down the street, offering those funky, delightful clothes you love  that you will never find in an off-the-rack major store. Anaphora’s titles set the standard for ’boutique’ publishing where that special book awaits that special reader.” –Philip Theibert, screenwriter and journalist for publications like The Wall Street Journal

“I thoroughly enjoyed working with Anna Faktorovich on the publication of my essay ‘Ted Kooser’s Art of Waiting’ in the Pennsylvania Literary Journal (an Anaphora journal) in Summer 2014. A simple query to Anna led to a productive dialogue and eventually to publication of the essay. I found Anna an ideal editor to work with, and I was quite satisfied with her editorial work on my essay. The publication was professionally done and on time, and that fact, in itself, merits praise.” –Jeffrey P. Beck, PhD, Dean of the Nathan Weiss Graduate College, Kean University

“Working with Anaphora on two books has been a pleasure. Anna Faktorovich is quick, efficient, accurate, and professional in both the production and post-production phases.” –Alexander Motyl, PhD, Professor at Rutgers University, Newark

“Anaphora Literary Press provides a business foundation for the books it selects for its catalog.  The press is willing to take on quality material that isn’t necessarily ‘mainstream’ because the press believes in promoting literature of worth.  Having taken on a work, the press ensures a quality product, innovative presentation, and marketing support.  I believe my own work benefited from the professional, business approach of the press and has probably sold more copies than it might have done with a different press.” –Aline Soules, Librarian and Faculty at the California State University, East Bay

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